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Analysis of Gabriele Reuter's "Gunhilde Kersten," "Hedwig Dohm's "Christa Ruland" and Lou Andreas-Salome's "Ruth."
Fathers and daughters in literature --- German literature --- Jewish women authors --- Women in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Jewish authors --- Women authors --- Young Germany --- History and criticism --- Andreas-Salomé, Lou, --- Dohm, Hedwig, --- Reuter, Gabriele,
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Littérature et totalitarisme II. Vers une conceptualisation du phénomène interroge le concept de totalitarisme et s’efforce à dégager les caractéristiques propres aux régimes fascistes/communiste à travers les textes littéraires. Sont abordés, par les chercheurs belges, français, géorgiens, les textes de fictions et les récits de témoignages conçus dans diverses circonstances : pendant les régimes totalitaires, au cours de l’exil, dans l’après-événement. Le but est de déceler les définitions/conceptions complexes qui s’esquissent dans l’appréhension de ce que peut être appelé le phénomène totalitaire. Dans quelle mesure ces textes dévoilent-ils des caractéristiques semblables ? Est-ce qu’ils les présentent sous forme de dénonciation ou bien s’en servent-ils pour au contraire dessiner un futur prometteur de l’humanité ? De quelle manière un texte de fiction, un journal intime ou un récit de témoignage appréhendent-ils la réalité totalitaire et son fonctionnement au niveau quotidien ? Ce sont des questionnements sur lesquels se sont penchés les chercheurs pour réfléchir d’une part, comment la littérature aborde, dans ces conditions précises, l’extra-littéraire et comment elle saisit, d’autre part, les signes les plus niais qui peuvent se manifester dans toutes les époques à divers degrés, à travers les stéréotypes antisémites, les préjugés racistes/ethniques, entre autres. L’ouvrage est conçu comme une suite aux travaux réunis sous le titre Littérature et totalitarisme I : Écrire pour témoigner.
Totalitarianism in literature --- Totalitarianism and literature --- Politics in literature --- Literature, Modern --- European literature --- Congresses --- History --- Congresses. --- Themes, motives --- History and criticism --- Literature --- Societies, etc.
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Comparative literature --- Thematology --- Philosophy and psychology of culture --- 792.01 --- Finite, The --- -Finiteness --- Finitude --- Finity --- Infinite --- Ontology --- Philosophy --- Theater: theorie; esthetica --- History --- Idealism. --- Life. --- Metaphor. --- Mimesis in literature. --- Theater in literature. --- Classical and modern. --- Modern and classical. --- History. --- -Theater: theorie; esthetica --- 792.01 Theater: theorie; esthetica --- -792.01 Theater: theorie; esthetica --- Finiteness --- Idealism --- Life --- Metaphor --- Mimesis in literature --- Theater in literature --- Representation (Literature) --- Imitation in literature --- Realism in literature --- Parabole --- Figures of speech --- Reification --- Animism --- Monism --- Personalism --- Positivism --- Dualism --- Materialism --- Realism --- Transcendentalism --- Classical and modern --- Modern and classical
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Anouilh, Jean --- Purity (Philosophy) in literature --- Anouilh, Jean, --- Criticism and interpretation --- -Criticism and interpretation --- Theses --- Purity (Philosophy) in literature. --- Criticism and interpretation. --- Anouilh, J. --- Anouilh, Jean, - 1910-1987 - Criticism and interpretation
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German fiction --- 20th century --- History and criticism --- Realism in literature --- German literature - 20th century - History and criticism. --- Realism in literature. --- Neue Sachlichkeit (Literature) --- German literature --- Neue Sachlichkeit (Literature). --- History and criticism.
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The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality (e.g., the notion that jazz poetry imitates jazz music) still dominates the field of criticism. This book challenges that interpretive approach. It demonstrates that a mimetic view of jazz poetry hinders readers from perceiving the metaphoric ways poets rendered music in writing. Drawing on and extending recent cognitive metaphor theories (Lakoff, Johnson, Turner, Fauconnier), it promotes a conceptual metaphor model that allows readers to discover the innovative ways poets translate "melody," "dynamics," "tempo," "mood," and other musical elements into literal and figurative expressions that invite readers to imagine the music in their mind's eye (i.e., their mind's ear).
Poetry --- Criticism --- History and criticism. --- Jazz in literature. --- American poetry --- English poetry --- American Literature. --- Cognitive Poetics. --- Intermediality. --- Jazz Music.
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Het verhaal van Don Juan is in de loop der eeuwen vanuit heel verschillende oogpunten beschreven. Waar men aanvankelijk vond dat iemand met zo’n levenswandel niet beter verdiende dan te branden in de hel, wordt hij vanaf 1800 juist geprezen om zijn bovenmenselijke vasthoudendheid en het niet aflatend zoeken naar een absoluut ideaal. En het verhaaltype verandert mee: de actie wordt vervangen door bespiegeling. In Tussen verlangen en verlies analyseert en interpreteert D.G. van der Steen de Don Juan-verhalen van Hoffmann, Lenau, Musset en Gautier. Een belangrijke rol is daarin ook weggelegd voor muziek, vrijheid, literatuur, architectuur en, bovenal, de mens.
Thematology --- Don Juan --- European fiction --- Romanticism --- Don Juan (Legendary character) in literature. --- Anthropology and literature. --- History and criticism. --- Anthropology and literature --- Don Juan (Legendary character) in literature --- -Romanticism --- -Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- European literature --- Anthropology --- History and criticism --- Theses --- Literature and anthropology --- -History and criticism --- -Anthropology and literature --- Pseudo-romanticism --- Don Juan [Fictitious character] --- European fiction - 19th century - History and criticism. --- Romanticism - Europe.
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Poetry --- Dutch language --- Grammar --- Symbolism in literature --- History and criticism --- Claus, Hugo, --- Criticism and interpretation --- -Symbolism in literature --- Signs and symbols in literature --- Symbolism in folk literature --- Poems --- Verses (Poetry) --- Literature --- Philosophy --- Theses --- Symbolism in literature. --- History and criticism. --- Criticism and interpretation. --- Criticism --- van Male, Dorothea --- Claus, Hugo --- Claus, Hugo Maurice Julien --- van Astene, Hugo C. --- Ghekiere, Anatole --- Klaus, Hugo, --- Klaous, Ougko, --- Klaus, Chugo, --- Hyoens, Jan, --- Streiner, Thea, --- Astene, Hugo C. van, --- Male, Dorothea van, --- Ghekiere, Anatole, --- Klaus, Hugo --- Klaous, Ougko --- Klaus, Chugo --- Hyoens, Jan --- Streiner, Thea --- Astene, Hugo C. van --- Male, Dorothea van --- Poetry - History and criticism --- Claus, Hugo, - 1929-2008 - Criticism and interpretation --- Claus, Hugo, - 1929-2008
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Ambiguity in literature --- Ambiguïteit in de literatuur --- Ambiguïté dans la littérature --- Kairos (Grieks woord) --- Kairos (Mot grec) --- Kairos (The Greek word) --- Theses --- Pindar --- Criticism and interpretation
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Manuscripts. Epigraphy. Paleography --- Medieval Latin literature --- History of civilization --- Christina the Astonishing --- Saints in literature. --- Saints dans la littérature --- Christina, --- Saints in literature --- 091:235.3 --- Vitae en passionalen--(handschriften) --- 091:235.3 Vitae en passionalen--(handschriften) --- Saints dans la littérature --- Christina Mirabilis v. --- Christina, - Mirabilis, Saint, - 1150-1224
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